{"id":19674,"date":"2026-02-20T17:59:06","date_gmt":"2026-02-20T16:59:06","guid":{"rendered":"https:\/\/www.guastalla.com\/?p=19674"},"modified":"2026-02-20T18:02:26","modified_gmt":"2026-02-20T17:02:26","slug":"tre-linee-con-arabesco-n-1300","status":"publish","type":"post","link":"https:\/\/www.guastalla.com\/it\/opere\/tre-linee-con-arabesco-n-1300\/","title":{"rendered":"Tre linee con arabesco N. 1300"},"content":{"rendered":"

Acquarello su carta
\ncm 32 \u00d7 25
\n1994<\/p>\n

 <\/p>\n

NOTE: Firmato e datato in basso a sinistra. Autentica della galleria.
\nESPOSIZIONI: 2003, Milano, Giorgio Griffa<\/em>, Studio Guastalla Arte Moderna e Contemporanea, ill. in cat.<\/p>\n

Scopri il video dell\u2019opera (clicca sul link con il tasto destro del mouse e \u201capri link in un\u2019altra finestra\u201d)\u00a0https:\/\/youtube.com\/shorts\/6zsVuBj0N3s?feature=share<\/a><\/p>\n

Pittura e memoria
\nSe ci chiediamo il senso di queste linee di Giorgio Griffa dobbiamo pensare, pi\u00f9 che a una rappresentazione, a una partitura, in cui i segni si susseguono nel tempo di un\u2019esecuzione musicale.
\n\u201cIo non rappresento nulla, io dipingo\u201d. Con questa frase Griffa spiegava pi\u00f9 di cinquanta anni fa il senso del suo lavoro di pittore, che aveva appena abbandonato la figura, ma non aveva scelto n\u00e9 l\u2019astrazione n\u00e9 l\u2019informale. Griffa piuttosto abbandona la sua mano alla memoria millenaria della pittura, facendo un passo indietro: non pi\u00f9 deus ex machina dell\u2019opera, n\u00e9 sciamano che vi entra dentro come nell\u2019action painting.\u00a0 Lascia piuttosto che i segni si inseguano sulla tela narrando il loro divenire. E\u2019 figlio dell\u2019astratto e dell\u2019informale sicuramente, perch\u00e9 i suoi segni non passano attraverso la soglia della figura, ma scompare la gerarchia tra l\u2019artista e la pittura al suo servizio. Il rapporto diventa paritetico: \u00e8 la mano del pittore al servizio della pittura. Il divenire si condensa sulla tela anche attraverso i gesti casuali di chi la piega, e lascia segni che sedimentano il tempo. La pittura diventa il luogo degli spazi della memoria.<\/p>\n","protected":false},"excerpt":{"rendered":"

Acquarello su carta cm 32 \u00d7 25 1994   NOTE: Firmato e datato in basso a sinistra. Autentica della galleria. ESPOSIZIONI: 2003, Milano, Giorgio Griffa, Studio Guastalla Arte Moderna e Contemporanea, ill. in cat. Scopri il video dell\u2019opera (clicca sul link con il tasto destro del mouse e \u201capri link in un\u2019altra finestra\u201d)\u00a0https:\/\/youtube.com\/shorts\/6zsVuBj0N3s?feature=share Pittura e […]<\/p>\n","protected":false},"author":5,"featured_media":19655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[12],"tags":[143,369],"class_list":["post-19674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opere","tag-griffa-giorgio","tag-opere-gallery"],"acf":[],"yoast_head":"\nTre linee con arabesco N. 1300 - Studio Guastalla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.guastalla.com\/it\/opere\/tre-linee-con-arabesco-n-1300\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tre linee con arabesco N. 1300 - Studio Guastalla\" \/>\n<meta property=\"og:description\" content=\"Acquarello su carta cm 32 \u00d7 25 1994   NOTE: Firmato e datato in basso a sinistra. Autentica della galleria. ESPOSIZIONI: 2003, Milano, Giorgio Griffa, Studio Guastalla Arte Moderna e Contemporanea, ill. in cat. 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